Re:birth a Dance Work About Beginnings

Re:birth a Dance Work About Beginnings

Choreographer Dam Van Huynh draws upon the words of writers, poets, activists, and his experience as a child refugee from the Vietnam war to create a choreographic work about overcoming.

Van Huynh Company present, Re:birth, a dance work which retraces choreographer Dam Van Huynh’s personal experience of rediscovery to explore universal themes of displacement. The work stirs emotions through a collage of visual impressions, sensations, long forgotten stories, memories, and dreams. As it moves from a state of disorientation into a state of consciousness, Re:birth presents a hopeful transformation for displaced people to find community and be reborn.

Re:birth is a heightened sensory experience that intends to invoke feelings experienced by displaced people and to give the audience space to reflect on broader societal issues. The movement responds to a field of light by Patricia Roldán Polo and a sound environment composition by Martyna Poznanska to create a psychedelic and hypnotising environment. Van Huynh’s long term collaborator British Afro-Caribbean vocalist, movement artist and composer Elaine Mitchener MBE performs alongside the dancers in the work. ‘I am interested in the impact of movement on the voice and how it changes and manipulates the sound. I was very struck by the choreographic language Dam was exploring - the rhythm and sound of movement’ says Mitchener about their collaboration.

Re:birth exemplifies a constant theme within Van Huynh’s work which deals with challenging stereotypes and empowering the voices of those who are not able to speak for themselves.
‘As a queer Vietnamese artist, I want to oppose Asian stereotypes of being quiet and internal and find ways through my work to empower others and encourage them to speak up.’ Dam Van Huynh

Re:birth, although not overtly about immigration, looks to reframe the concept of a refugee as a brutalised victim asking us instead to acknowledge the richness of experience and find a universal humanity. Behind this dance work is the continuing partnership of Van Huynh Company and Community Centre for Refugees from Vietnam, Laos and Cambodia (VLC) – known as VLC Centre and, since its inception in 1985, a vital meeting point for refugees from Southeast Asia. This partnership led to the relaunch in 2016 of the community centre under the name of Centre 151, an independent charity based in the heart of Hackney, promoting culture, arts and community inclusion.

Re:birth is supported using public funding by Arts Council England with further support from University of Plymouth and Centre 151. The work will be presented by 3:e Våningen as part of the Göteborg International Art Biennale for Contemporary Art's program "GIBCA Extended 2023” and at The Place, London on 14 Nov with further touring in 2024.


Audition notice for a new creation

Audition notice for a new creation

Dam Van Huynh / Van Huynh Company is looking for a performer from the Global Majority to join his company of artists to complete and premiere a new work in development. The work will be stretching across disciplines and practices including movement, sound/contemporary new music, performance art. He would like to meet artists from diverse ages and backgrounds, body shapes, across the gender spectrum, who are interested in engaging with an experimental approach towards developing dance works.
All rehearsals will take place in London leading to a sharing and a performance spread across the UK. This position will be paid at recommended industry rates. Applicants should have the right to work in the UK.

Audition in the form of a workshop will be by invitation only.
When: Friday 20 October 2023, 11:00 – 15:00
Where: London, UK
Deadline for application is Tuesday 17 October 2023, 12:00

Rehearsal / Performance schedule:
Week 1: Monday 11 to Friday 15 December 2023
Week 2: Monday 12 to Friday 16 February 2024
19-20 February 2024: Production day and Showcase in Bournemouth
18-19 March 2024: Production day and Premiere in Ormskirk

To apply, please send:
A brief CV
A link to a short videoclip if available.
1 headshot and 1 full body picture if available.

These should be emailed to: info@damvanhuynh.com with ‘AUDITION - YOUR NAME’ in the subject header.


Re:birth receives its London premiere at The Place

Re:birth receives its London premiere at The Place

We are delighted to announce that we will present the London premiere of Re:birth at The Place on Tuesday 14 November 2023

In Realness at Nonsuch Studios

In Realness at Nonsuch Studios

We will present 'In Realness' performed by the fabulous Tommaso Petrolo at Nonsuch Studios in Nottingham on Saturday 20 May 2023, 7.30pm.

Thank you Berlin

Thank you Berlin

Berlin, you have been wunderbar, thank you!
On Being Human as Praxis by Elaine Mitchener was a stunner in the gorgeous space that is Haus der Berliner Festspiele, as part of Maerz Musik 2023.
In Realness by Dam Van Huynh and performed by Tommaso Petrolo fit like a glove in the Varieté Theatre at ufaFabrik Internationales Kulturcentrum.
Thanks to Elaine Mitchener for the invitation to come on this journey with her.
Thanks to Jason Yarde, Matana Roberts, Laure M. Hiendl, Tansy Davies, George Lewis for trusting the process.
Thanks to Michael Picknett for being a rock through and through.
Thanks to our guardian angels Ieva Navickaite and Tommaso Petrolo for their artistry and commitment.
Thanks to MAM.manufaktur für aktuelle musik for their talent and being game at rolling all over that dusty dance floor with us.
Thanks to MaerzMusik / Berliner Festspiele, ufaFabrik Internationales Kulturcentrum, Callie's, Berliner Künstlerprogramm des DAAD for the warm welcome and generosity.
Thanks to our friends and audiences who came to watch, we felt the love.
We hope to see you all very soon. Till then, take care. x

On Being Human As Praxis at MaerzMusik

On Being Human As Praxis at MaerzMusik

Dam Van Huynh works with long term collaborator Elaine Mitchener to present the live premiere of On Being Human as Praxis as part of MaerzMusik 2023. Elaine brings together five works by five composers for voice, electronics and ensemble to create On Being Human as Praxis based on the work of feminist cultural theorist Sylvia Wynter.

What does it mean to be human? And what does it mean in our present time? Elaine Mitchener draws on feminist writings by Jamaican cultural theorist Sylvia Wynter to engage with these fundamental issues – and contrasts the European-colonial concept of humanity with a praxis of being human that needs to be learnt anew.

Sunday 19 March 2023, 20:00 - Live Premiere
Haus der Berliner Festipiele, Main Stage - Berlin, Germany
www.berlinerfestspiele.de

On Being Human As Praxis

George Lewis H. narrans
Tansy Davies The rule is love
Jason Yarde THE PROBLEM WITH HUMANS Volume 1 – An Overview From Under
Laure M. Hiendl White Radiance (the brand name)
Matana Roberts Gasping for air considering your purpose Dissolving…

Cast
Elaine Mitchener concept, vocal soloist (contralto)
Dam Van Huynh choreographer, director
Ieva Navickaite dance
Tommaso Petrolo dance
Michael Picknett Lighting

MAM.manufaktur für aktuelle musik:
Heather Roche clarinet
Paul Hübner trumpet
Sabrina Ma drums
Sarah Saviet violin
Caleb Salgado double bass

A coproduction of Berliner Festspiele / MaerzMusik and the DAAD Artists-in-Berlin Program
Supported by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media.

This project was commissioned by Donaueschinger Musiktage 2020 and has not yet been presented with a live audience.


F-ing Good Provocation – Zine on sale now

F-ing Good Provocation – Zine on sale now

We are proud to be part of F-ing Good Provocation and we trust this will be a milestone for a better understanding of systemic challenges faced by ESEA artists making work in the UK and beyond.

F-ing Good Provocation is a constellation of conversations during lockdown on injustices & hope in the dance sector. It is a zine (project as well as a practice) that celebrates the 20 artists of East and Southeast Asian diaspora involved, who live, create and contribute to the vibrant arts landscape of the UK and beyond.

A bit more about the project:
F-ing Good Provocation is multi-prong project and practice, focusing on anti-racist, anti-oppressive practice and centring care, empathy, accountability focusing on artists of the East and Southeast Asian diaspora in the UK. The first phase of the project was a scoping phase including hours of conversations during lockdown in 2020/21 on race, racism, injustices and the 20 artists' lived/living experiences. This zine encapsulates some of the difficult, honest yet essential conversations and hopes.

On sale at Centre 151 and other stockits for £6 only.

More information about the project: www.f-inggoodprovocation.com


A creative year

A creative year

As we turn a page on 2022, we are forever grateful to our team of artists and collaborators for their generosity, strength, creative spirit, joy, humour, friendship, resilience and can-do attitude. You are our everything.
Thank you to venues and partners without whom none of this would be possible. Here is to a brilliant year with more laughter and connections to look forward to in 2023!

© Sara Bowrey

© Holly Revell


In Realness at ufaFabrik Berlin

In Realness at ufaFabrik Berlin

Christmas has come early for us… We are excited to announce that In Realness, our new solo performed by the one and only Tommaso Petrolo will receive its German Premiere ...

Re:birth at Lancaster Arts

Re:birth at Lancaster Arts

We are back to Nuffield Theatre | Lancaster Arts with Re:birth on Wednesday 30 November 2022, 8pm. Last we were there was in March 2019 with DEP, more than 3 ...