Introducing our new work: Exquisite Noise

Introducing our new work: Exquisite Noise

Exquisite Noise honours the art of assembly and protest. Choreographer Dam Van Huynh explores alternative methods of dissent...

A special thank you to our audiences

A special thank you to our audiences

We would like to say a HUGE thank you to audiences and friends who have supported us this year.

Open Company Pro Class 11-15 Dec 2023

Open Company Pro Class 11-15 Dec 2023

As Van Huynh Company completes their latest research project Exquisite Noise, we invite professional dancers to join our morning classes

New commission for HKAPA

New commission for HKAPA

The Hong Kong Academy for Performing Arts has commissioned a new work titled Synthetic by Dam Van Huynh. The evening is shared with works by Eve Chan, Sang Jijia (with ...

Dam Van Huynh – London Live Interview

Dam Van Huynh – London Live Interview

Watch this interview of Dam Van Huynh ahead of our London Premiere of Re:birth at The Place on Tuesday 14 November 2023, 7.30pm.

Re:birth a Dance Work About Beginnings

Re:birth a Dance Work About Beginnings

Choreographer Dam Van Huynh draws upon the words of writers, poets, activists, and his experience as a child refugee from the Vietnam war to create a choreographic work about overcoming.

Van Huynh Company present, Re:birth, a dance work which retraces choreographer Dam Van Huynh’s personal experience of rediscovery to explore universal themes of displacement. The work stirs emotions through a collage of visual impressions, sensations, long forgotten stories, memories, and dreams. As it moves from a state of disorientation into a state of consciousness, Re:birth presents a hopeful transformation for displaced people to find community and be reborn.

Re:birth is a heightened sensory experience that intends to invoke feelings experienced by displaced people and to give the audience space to reflect on broader societal issues. The movement responds to a field of light by Patricia Roldán Polo and a sound environment composition by Martyna Poznanska to create a psychedelic and hypnotising environment. Van Huynh’s long term collaborator British Afro-Caribbean vocalist, movement artist and composer Elaine Mitchener MBE performs alongside the dancers in the work. ‘I am interested in the impact of movement on the voice and how it changes and manipulates the sound. I was very struck by the choreographic language Dam was exploring - the rhythm and sound of movement’ says Mitchener about their collaboration.

Re:birth exemplifies a constant theme within Van Huynh’s work which deals with challenging stereotypes and empowering the voices of those who are not able to speak for themselves.
‘As a queer Vietnamese artist, I want to oppose Asian stereotypes of being quiet and internal and find ways through my work to empower others and encourage them to speak up.’ Dam Van Huynh

Re:birth, although not overtly about immigration, looks to reframe the concept of a refugee as a brutalised victim asking us instead to acknowledge the richness of experience and find a universal humanity. Behind this dance work is the continuing partnership of Van Huynh Company and Community Centre for Refugees from Vietnam, Laos and Cambodia (VLC) – known as VLC Centre and, since its inception in 1985, a vital meeting point for refugees from Southeast Asia. This partnership led to the relaunch in 2016 of the community centre under the name of Centre 151, an independent charity based in the heart of Hackney, promoting culture, arts and community inclusion.

Re:birth is supported using public funding by Arts Council England with further support from University of Plymouth and Centre 151. The work will be presented by 3:e Våningen as part of the Göteborg International Art Biennale for Contemporary Art's program "GIBCA Extended 2023” and at The Place, London on 14 Nov with further touring in 2024.


Audition notice for a new creation

Audition notice for a new creation

Dam Van Huynh / Van Huynh Company is looking for a performer from the Global Majority to join his company of artists to complete and premiere a new work in development. The work will be stretching across disciplines and practices including movement, sound/contemporary new music, performance art. He would like to meet artists from diverse ages and backgrounds, body shapes, across the gender spectrum, who are interested in engaging with an experimental approach towards developing dance works.
All rehearsals will take place in London leading to a sharing and a performance spread across the UK. This position will be paid at recommended industry rates. Applicants should have the right to work in the UK.

Audition in the form of a workshop will be by invitation only.
When: Friday 20 October 2023, 11:00 – 15:00
Where: London, UK
Deadline for application is Tuesday 17 October 2023, 12:00

Rehearsal / Performance schedule:
Week 1: Monday 11 to Friday 15 December 2023
Week 2: Monday 12 to Friday 16 February 2024
19-20 February 2024: Production day and Showcase in Bournemouth
18-19 March 2024: Production day and Premiere in Ormskirk

To apply, please send:
A brief CV
A link to a short videoclip if available.
1 headshot and 1 full body picture if available.

These should be emailed to: info@damvanhuynh.com with ‘AUDITION - YOUR NAME’ in the subject header.


Re:birth receives its London premiere at The Place

Re:birth receives its London premiere at The Place

We are delighted to announce that we will present the London premiere of Re:birth at The Place on Tuesday 14 November 2023

In Realness at Nonsuch Studios

In Realness at Nonsuch Studios

We will present 'In Realness' performed by the fabulous Tommaso Petrolo at Nonsuch Studios in Nottingham on Saturday 20 May 2023, 7.30pm.

Thank you Berlin

Thank you Berlin

Berlin, you have been wunderbar, thank you!
On Being Human as Praxis by Elaine Mitchener was a stunner in the gorgeous space that is Haus der Berliner Festspiele, as part of Maerz Musik 2023.
In Realness by Dam Van Huynh and performed by Tommaso Petrolo fit like a glove in the Varieté Theatre at ufaFabrik Internationales Kulturcentrum.
Thanks to Elaine Mitchener for the invitation to come on this journey with her.
Thanks to Jason Yarde, Matana Roberts, Laure M. Hiendl, Tansy Davies, George Lewis for trusting the process.
Thanks to Michael Picknett for being a rock through and through.
Thanks to our guardian angels Ieva Navickaite and Tommaso Petrolo for their artistry and commitment.
Thanks to MAM.manufaktur für aktuelle musik for their talent and being game at rolling all over that dusty dance floor with us.
Thanks to MaerzMusik / Berliner Festspiele, ufaFabrik Internationales Kulturcentrum, Callie's, Berliner Künstlerprogramm des DAAD for the warm welcome and generosity.
Thanks to our friends and audiences who came to watch, we felt the love.
We hope to see you all very soon. Till then, take care. x