"A favourite from the 2008 Place Prize, choreographer Dam Van Huynh has now formed his own company and embarked on an intense exploration of human physicality in tandem with some challenging musical collaborations. 'Sudden Change of Event' is set to music by Leon Michener with avant garde singers E.laine and Mikhail Karikis, while new piece 'Mural Studies' uses a soundtrack from composer Jamie Hamilton."
Time Out Magazine, May 2010

"The dancers, all great athletes with poise and fantastic focus, worked together very much as a team with the precision and timing of a sophisticated machine"
David Green, East Anglian Daily Times, June 2010

"The latest double-bill presented by Van Huynh Company is a confident display of the company's talents and devotion to pushing boundaries of modern dance"
Jia-Chiann Ingrid Hu, Dim Sum website, May 2010

"It is without doubt that this is an ensemble with distinctive technique and artistic ingenuity"
Jia-Chiann Ingrid Hu, Dim Sum website, May 2010

"Dam Van Huynh returns with a new work.
Sudden Change of Event is his first piece for his new company. Previews earlier this year suggest the new piece is the first step in a search for his own movement language."
Time Out Magazine, November 2009

"This company is tight and sizzling with potential"
Emma Stevenson, Ballet.co Magazine, July 2009

"Dam Van Huynh's distinctive and engaging choreography is always intriguing, ranging from bursts of electric energy to slow whimsical movements that trail off without a definitive end."
Emma Stevenson, Ballet.co Magazine, July 2009

"Sensual yet almost animalistic, his style is fascinating to watch"
Michelle Harris, Critical Dance Magazine.com, July 2009

"Dam Van Huynh’s unique use of the body is striking and alarming"
Hetty Blades, December 2009

"In Sudden Change of Event, Dam Van Huynh has created a piece so intricate that the audience can do nothing but be riveted"
Catherine Hooper, Critical Dance Magazine.com, July 2009

"The way that Van Huynh plays with the human form is fascinating"
Hetty Blades, December 2009

"Van Huynh has found his own very stylised world, and has perfected the art of drawing an audience into it"
Anna Crofts, Critical Dance Magazine.com, July 2009

"Complexity at its most enthralling."
Catherine Hooper, Critical Dance Magazine.com, July 2009