I watched three days of nudity at the Edinburgh fringe – this is what I learned

  • Feature
  • Guardian, August 2018
  • By Hannah Jane Parkinson

“throughout Dep, I am on the edge of my seat.”

Edinburgh fringe dance: Dep – review

  • Review
  • The Observer, August 2018
  • By Luke Jennings

“We, and the dancers, are forcefully confronted with our frailty, but also, ultimately, with our capacity for regeneration. Life goes on.”


  • Review
  • Broadway Baby, August 2018
  • By Matthew Sedman

“A raw and visceral production that transcends the need for verbal communication, ĐẸP looks behind closed doors and stands defiantly in its appreciation of human fragility.”

A terrible beauty: Dep by Dam Van Huynh

  • Review
  • Seeing Dance, August 2018
  • By Alexandra Gray

“A powerful work with a terrible beauty all of its own.”

Meet the Choreographer Exploring His Refugee Experience Through Art

  • Interview
  • Vice, July 2017

Together with Western Union and the Western Union Foundation, we are sharing real stories of refugees to help breakdown the misconceptions that surround them. We’re all humans and neighbours, no matter our background.

Dam Van Huynh is an award-winning dancer and choreographer with his own company in East London. His contemporary dance projects and movement operas have toured the planet, and he now teaches workshops to budding dancers. He’s lived in Britain for almost two decades.